![]() ![]() But out of that breakup, we got an incredible trio and one of pop music’s great long tracks. crosby-stills-nash-young-11-suite-judy-blue-eyes Scanner Internet Archive HTML5 Uploader 1.6.4. And though Stills played the song personally for Collins, it couldn’t repair the relationship. Crosby, Stills, Nash, & Young 11 Suite Judy Blue Eyes. But it keeps building for close to seven minutes - first to a section of Stills’ vocal solos and finally to the “doo doo doo” coda and tight three-part harmonies that have come to define CSN (and sometimes Y). ![]() ![]() More importantly, though, it’s a song that defines the CS&N harmonies perfectly, which is. The roughly three-minute-long first movement could be a self-sufficient pop song in its own right. When Suite: Judy Blue Eyes was released, it climbed to 21 on the Billboard Hot 100, which was a few spots higher than Crosby, Stills & Nash’s previous single, Marrakesh Express, had made it, so it was definitely a win by those standards. “Suite: Judy Blue Eyes” opened their first self-titled album in 1969. As the story goes, the all-star band Crosby, Stills and Nash was founded by Stills (then part of Buffalo Springfield), David Crosby (the Byrds) and Graham Nash (the Hollies) at either the home of Joni Mitchell or Mama Cass Elliot (the answer depends on which band member you’re talking to) when they started harmonizing together, most likely to this very song. Stephen Stills wrote the four-part medley about his impending breakup with Judy Collins, a well-known singer at the time. The title is, of course, a play on words. ![]()
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